Inhuman Swill : Manhattan

It seems absurd for me to say that I wish we were in New York City right now, with Hurricane Sandy bearing down, but we are definitely thinking of all our many friends there and all over the East Coast and hoping everyone stays dry and safe.


Edie-Nadelhaft-Cherry-Biter-12.jpg
Our good friend Edie Nadelhaft (one of whose paintings hangs on our dining room wall) is participating tonight in Changing the World Through Art, an auction and gala to benefit the Time In Children's Arts Initiative.

New Yorkers, please consider showing up and supporting the gala! It takes place at Haunch of Venison, 550 W. 21st St., from 6:00 to 9:00 pm. (Buy tickets here.)

Edie says:

TimeIn is a unique outreach program that introduces children from some of the most underserved and impoverished neighborhoods in NYC to the arts through activities such as hands on classes, sketching at museums and galleries and listening to opera.

Please make this the first of your 2012 tax deductible donations and enjoy hors d'oeuvres, bespoke cocktails and a live auction of works including my own Cherry Biter No. 12 as well as works by Takashi Murakami, William Wegman, Nick Cave and many more!
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You are here

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You Are Here - Roosevelt Island - New York City

you are here

the southern tip of roosevelt island
east river easing by to either side
beside your wife astride the bikes
you rode like phantoms through
the hushed streets of queens
over the red bridge at 36th ave

you are here

inside the four mile ring of the
concentric circles of immediacy
and inverse kneejerk jingoism
the two towers at their center
their sides pierced by spears
gushing ash into waterclear sky

you are here

holding hands in the swelling
congregation of silent cyclists
a u.n. of observers stunned and numb
distant sirens the only sounds
besides the murmuring river
or the murmurs might be yours

you are not here

to see or hear the first collapse
you're riding back over the bridge
retracing miles unwinding the clock
restitching time with no success
at home your t.v. sees just one tower
a dustblinded eye about to close

you are not there


originally read at Tuesday Funk, September 6, 2011 [video]

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No, I don't mean dancers smoking pot. I mean dance choreographed on an indoor set of living grass and trees. It's "Wooden," by our good friend Laura Peterson (with sets by Jon Pope), and you lucky New Yorkers can see Part 2 at Here Arts Center tonight and tomorrow night only. Please go, since we can't! Tickets are $15.

Laura's choreography always strikes me as supremely logical, whether rooted in organic forms or technological ideas or a hybrid of both, and entirely superior to the hackneyed vocabulary that seems to compose much of modern dance. Here's a video of one of the improvisations that led to "Wooden" to whet your appetite:


at MoMA 2/14/10 from Laura Peterson on Vimeo.



See more of Laura's videos here and here. And here's a past favorite of mine, just because:

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While Laura and I were in New York City about a month ago, we were introduced to a drink called the "pickle back"—a shot of Irish whiskey followed by a pickle-brine chaser. Yes, I was dubious too, but it was the best new drink I'd tasted in ages. Of course, the pickle juice needs to be of high quality. You can't just use the liquid from a bottle of Vlasic dill chips.

We first experienced the pickle back at Sweet Afton in Queens ([info]ecmyers was there!), so imagine our surprise when at Whiskey Tavern in Chinatown the next evening we found two varieties of pickle back on the menu! It's apparently a growing trend in bars in the know, as detailed in this New York Post article:

Give Pickle Juice a Shot

Time to invest in cucumber futures?

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Fans of the monthly New York Review of Science Fiction Reading Series in Manhattan are used to gathering for good food, good whiskey, and good beer at Ryan Maguire's Ale House, on Cliff Street near the South Street Seaport. Unfortunately, Ryan Maguire's was destroyed by a fire early this morning:

It's great that no one was hurt, but this is a real loss. It was a warm, welcoming place, and I always looked forward to heading there with Jim Freund and a big, interesting, varied crowd after readings while Laura and I still lived in New York. I'm glad I had a chance to go there one last time, in January, when Paul Witcover and I read together at NYRSF. RIP.


Hi, NYC friends! Yes, it's a last-minute surprise to me too, but I'll be reading with the excellent Paul Witcover THIS COMING TUESDAY EVENING, January 5th, as part of the New York Review of Science Fiction Reading Series at the South Street Seaport Museum. Doors open 6:30 pm, readings begin 7:00 pm. Suggested donation is $5. See below for all the details, and we hope to see you there.

Please note, if you haven't been to a NYRSF reading at the Seaport lately, that the location is slightly different than it used to be....

--> The New York Review of Science Fiction Readings
and the
South Street Seaport Museum present <--

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Eight years later

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I consciously realized something this evening that has been nagging at me for a few weeks now, which is that tomorrow morning, when the new episode of my podcast goes live, there's going to be a line on the front page of my web site that reads "September 11." I'm not looking forward to seeing that.

It helped this evening that Laura and I had a good friend over, and that date was one of the subjects we chatted about on the back deck amidst the wreckage of banana daiquiris, white Russians, and Tomintoul 27yo served neat with water back. I was glad to hear that I'm not the only one who gets so angry that he has to withdraw from conversations of the sort that I had a few weeks ago, when a random stranger at a bar I like to frequent on Friday afternoon tried to tell me that the American government was behind 9/11. (It's not exactly a counterargument, but my favorite statistic to trot out in such circumstances is that Manhattan [a/k/a New York County], the very borough that was attacked by foreign nationals, voted 80% for Al Gore in 2004.)

Anyway, if you have some time, browse over to my survivor registry tomorrow, read some of the posts from that confusing day, and try to remember what it was like to feel the world changing around us.


I have quite a backlog of little items I've made notes about that I've meant to blog over the past couple of months, and maybe today or soon I'll start getting to most of them. Though before I get to the one immediately at hand, I just have to note that outside right now is raging the SECOND snowstorm of spring.

Now to the main monkey business. Laura and I are heading to New York tomorrow to spend a lazy weekend. The prime motivator of our trip is to see our friend Laura Peterson's new dance program Electrolux, at DNA (280 Broadway). You should come too. Seriously. Go buy tickets. The run starts tonight and ends Sunday.

Electrolux might look something like this rehearsal footage:

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Old shoe week

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John eat BRAINS!
Going home to New York City is as comfortable as slipping on an old shoe. I flew there Tuesday afternoon with just a backpack and the parka on my back, and I was immediately at ease and confident in a way I don't yet feel in Chicago. The only bad part was that I was alone, since Laura was on a concurrent business trip to Rochester.

But I wasn't solitary for long. I took a cab from Laguardia to my borrowed apartment in Astoria, Queens, dumped off most of the contents of my pack, and headed into the city. After a quick stop at my old office, I met John Klima, in from Iowa way, at the Tor offices in the Flatiron Building. I acquired an advance copy of Cory Doctorow's Little Brother, I chatted with Patrick Nielsen Hayden for a minute or two, and John and I hauled his bags back to Astoria on the subway.

We had a full evening ahead, but before I tell you about it I have to back up several months and remind you of the segment of Anthony Bourdain's "No Reservations" that Laura and I caught back in July:

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