Inhuman Swill : April 2015
            

Our Dependency on Foreign Keys, art by Hayrettin Karaerkek
A brand-new story of mine, "Our Dependency on Foreign Keys," is available today at the online magazine Across the Margin.

Or actually, the first half of this 11,000-word story is available today. The second half will go live tomorrow morning.

And to be honest, it's not exactly brand-new, either, though this is the first time readers are seeing it. According to an old blog post, I was working on this story during a trip to Malta and the Middle East in May 2008. It was one of those stories that started with the title, and as I worked out the basic situation of the story the plot and its world, things grew very complicated indeed, even given that I decided to set it in the same near-future historical continuum as a couple of my earlier stories. I clearly remember the bar in Chicago's Bucktown neighborhood where I was sitting when I named the main character Pell Franziskaner. According to my records, I finished the first draft around the time Barack Obama began his first term as president.

The story was a difficult one to write because I needed it to be light and frothy but dense at the same time. I took the Jeeves and Wooster stories as my model, though I think you'd be hard-pressed to see that in this final version. Connie Willis's screwball comedies like "Blued Moon" were an inspiration too, though again...

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The Falcon and the Snowman: Original Motion Picture Soundtrack In 1985, I was a far bigger fan of jazz guitarist Pat Metheny than just about any other musician. The album that infected me was 1982's Offramp, which sounded unlike anything else I'd ever heard. I became a hardcore consumer of any and all vinyl featuring either Metheny or his compositional partner in the Pat Metheny Group, pianist Lyle Mays. (My friends and I could and did spend hours debating the meaning of the 20-minute title track from As Falls Wichita, So Falls Wichita Falls. Yes, we were not normal.)

Thus it was inevitable, thirty years ago, that I would buy the new album from the Pat Metheny Group as soon as it appeared, even if it was the soundtrack to a movie I had not seen. I had a vague understanding of the true-life espionage case behind The Falcon and the Snowman (based on the book by Robert Lindsey), which told the story of Christopher Boyce and Daulton Lee, two young men from southern California who were arrested in 1977 for selling intelligence secrets to the Soviet Union. (Boyce was a falconry enthusiast and Lee a cocaine dealer, which is where their sobriquets came from.) I always meant to see the film, but never did.

But that didn't affect my enjoyment of the soundtrack. In fact, it might have enhanced it, as I could listen and try to imagine what was happening on screen during each passage. It wasn't my favorite Metheny album by any means, but parts of it I liked quite a lot. I even grudgingly came to enjoy the collaboration with David Bowie that kicked off side 2 of the record, "This Is Not America"—though I disliked the way the credits on the single made it seem like the Pat Metheny Group was just Bowie's backing band.

Anyway, it was late in 1985, when I was 18, after I'd been living with the album for eight or nine months, that a close friend of mine, whom I call "Andy Kilmer" in The Accidental Terrorist, came to me with a request. This passage is from the book:

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Your attention is Justified

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I'm not here to tell you about Justified, the Elmore Leonard–based FX television series that ended this week after six terrific seasons. I'm not here to tell you why it was my favorite show, or why I look forward to rewatching it even more than Breaking Bad. I'm not here to praise the writing, the directing, or the acting, or to lament the fact that it never found more than a cult audience.

I'm just here to present this playlist I assembled of some great Justified moments, so you can see for yourself how much fun it was—that is, if sarcastic gunslinging U.S. Marshals tangling with colorful, loquacious criminals in rural Kentucky is your idea of fun:

And here are a few appreciations of Justified from around the web:

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I don't remember whether or not I reported this on Twitter and Facebook, but I know I haven't mentioned it here on the blog. The latest revision of The Accidental Terrorist is finished!

I completed this new, significantly revised draft on March 29. Over the next week I glanced at it from time to time, fixing bits and tinkering a little, but overall I'm pretty happy with it—happier than I've been with any of the previous drafts. Last week I sent the manuscript to Juliet Ulman, my brilliant editor. Hopefully I'll have my final revision notes before the end of May, and then a final draft of the book that I can get to my copy editor before mid-summer.

This book is happening, friends.

Now a question for you. I'm going to put the book out in trade paperback form, as well as various flavors of ebook. I've been toying with the idea of making a signed hardcover version available as well, for a little extra money, but I would have to place a bulk order for those to make it financially worthwhile, and that would mean having people place pre-orders so I know how many to print.

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The Accidental Terrorist 30th Anniversary Sale

Signed editions
that even a
missionary
could afford.

Order yours now!

William Shunn

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