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May 11, 2009

How line height relates to word count

A reader writes to ask:

I read somewhere that if you format properly you should get 25 lines per page, but I consistantly get 24. So when I use Word to give me a word count on 141 pages, I get 28k, but when I do it the way I think publishers want a word count for novels, which is by multiplying the number of pages times 250, I get 35k. That's a big difference.

I followed all of your rules, so I don't understand what I'm doing wrong.
Indulge me a moment, please, while I review a couple of standard typographical measures. The smallest unit in typography is called the point, which measures exactly 1/72 of an inch. Twelve points equals 1 pica. Therefore, we have 72 points per inch, and 6 picas per inch.

A standard typewriter uses 12-point type, which is a measure of the height of the metal block on which each individual letter is cast. This also equals the height of a each line of printed type the typewriter produces, meaning that a typewritten line is 12 points high, or 1 pica, or 1/6 of an inch. Single-spaced, this means you can fit six lines of type per inch. Double-spaced, you get three lines per inch.

Working from this basis, we see that the essential definition of a 12-point font is one that prints in a line exactly 1 pica high. You would think that a word processor would follow that definition and default to a line height of exactly 1/6 of an inch for a 12-point font, but MS Word doesn't. For whatever reason, its default line height is slightly more than that—about 0.185" as opposed to the expected 0.167".

That was a long digression, but that's the explanation for why you're getting fewer lines per pages than what you expect. You can fix this, but first let me point out that, as long as you're close to the standard, your exact line height doesn't really matter. No one is going to count your number of lines per page to make sure you have exactly 25 or 26 or whatever other number you might have heard is appropriate. No editor has the time or inclination to do that. As long as it looks good at a glance, you're fine.

What seems to concern you more, though, is the discrepancy between your estimated word count and the exact count that MS Word gives you. The first thing you need to understand is that your estimated word count will always be higher than the exact word count. An estimated word count is designed to give an editor an idea of how many pages a published book will run, which depends more on the number of lines in your manuscript than on the number of words.

(A dialogue-heavy page with a lot of short, choppy paragraphs, for instance, will likely have a lot fewer words on it than a page with a couple of long, dense paragraphs of exposition. But both pages have the same number of lines, and therefore take up approximately the same amount of space in a published book.)

The next thing to understand is that your estimated word count should be based on the average number of words on one of your pages, which is not necessarily 250. There are complicated formulas you can use to derive your own average word count per page, but I think a good rule of thumb is to call it 10 words for every line. (That's for a Courier font. If you use a proportional font, your number will be higher.) Therefore, for a 24-line page, use 240 for your estimate per page instead of 250. That will shrink your word count by a good amount. It will still be higher than the true count, but you shouldn't worry about that.

In fact, before I continue to explain how to reset your line height in Word, I want to emphasize how unproductive it is to get bogged down in these kinds of details. Your first and most important job is to write the best book you can. Your second most important job is to present that book in the form of an attractive, uncluttered, professional-looking manuscript. As long as that manuscript looks reasonably close to the expected standard format, you'll be fine.

That said, here's how to set your lines in Word to exactly the proper height. If you're using MS Word 2007 or a more recent version—the version with the tool ribbons at the top instead of pull-down menus—then go to the Page Layout ribbon. In the group of tools labeled Paragraph, click the little diagonal arrow icon in the lower-right corner to pop up the Paragraph dialog box. In the Indents and Spacing tab, find the Line spacing drop-down list. Choose the "Exactly" option from the list. Under the At label, set the value to "24 pt." Click OK to exit. (The process in older versions of Word will be similar, though not exactly the same.)

What this does is set your lines to display one every 24 points, or 2 picas. This effectively gives you a double-spaced manuscript with exactly 3 lines to the inch. This way, you should get at least one more line per page than you've been getting. But like I say, that's probably not a level of detail you need or ought to be worrying about.

Odds and Ends | Reader Questions | Software | Typography | Word Counts

May 10, 2009

Some fine points of underlining

A reader writes to ask:

I scoured your blog as well as the Internet, and am still having problems with underlining for italics. I am definitely using underlining but am fuzzy on the following:
  1. Do I use "underline words only" like this or do I include the spaces like this?
  2. Do I include punctuation like this: This is a sentence.
  3. Do I include quotes like this: "Buon giorno!"
As I've discussed before, you should always use underlining in your manuscripts to indicate words and phrases that are to be set in italics in the final printed version of your work. In trying to follow that advice, you've uncovered some interesting questions about the finer points of underlining.

The only hard and fast rule I have to offer is that, when underlining more than one consecutive word, you should be sure to underline the spaces between the words as well. Underlining the words only and not the spaces looks too choppy and distracting to the eye.

In other words, you should do it like this.

As for your second and third questions, I'm not aware of any definite standard. It seems to me to make sense to include the punctuation when underlining complete sentences, but no one is going to penalize you for not including the period or the quotation marks. In those cases, just do what seems to make the most sense to you. My only advice would be to be consistent in whichever method you employ.


Update:  Paul Witcover, author of Everland and Other Stories and an experienced copy editor, offers the following advice: "Punctuation following an underscore is also underscored." Thanks, Paul!

Italics | Punctuation | Reader Questions

May 9, 2009

When to use a separate title page

A reader writes to ask:

At the recent meeting of our local writers group we got involved in a discussion about formatting. Several of us were having problems with the header/footer and page numbering aspect of our word processing program. My problem was setting the page for "different first page" and how to begin the numbering with page 2.

Our president showed us how she set it, but the way she did it, the page numbering started on the second page but numbered it page 1. Her point was that the very first page of a manuscript was simply a "cover page" and as such should not be considered part of the numbering process. She did not have anything on her "cover page" except for name and address, word count, title and by-line.

I, on the other hand, use your format—the first page includes name, address, word count, title etc., with the story starting a third of the way down the page. Our president said that was something that would get a manuscript kicked back from an agent/editor very quickly.

This is the first time I have heard of such a thing, and I'm wondering if there have been any changes in required format that I don't know about?
You raise a couple of different issues here. The first is the question of whether or not to give your manuscript a separate title page. I suspect the confusion between you and your group president stems from the fact that novels and short stories employ slightly different formats. You may be trying to format a novel like you would a short story.

A book-length manuscript, whether for a non-fiction work or a novel, should have a separate title page. The title page will have your name and address in the upper-left corner, the title and your byline centered in the middle of the page, and an approximate word count centered at the bottom of the page. The text then starts on the second page of the manuscript, and that page should be numbered 1. You can study a portion of a sample novel manuscript here.

A manuscript for a short story or article should not have a separate title page. It should be formatted similarly to what you find here.

I would always recommend using a separate title page when submitting a novel, but I have talked to successful writers who routinely submit their novels in short story format. I doubt a manuscript would be rejected for that reason, but you should play it safe and go with standard novel format.

Now, to the second issue you raise. How do you prevent a page number from appearing on the title page of your manuscript? And, in the case of a novel manuscript, how do you adjust the numbering so that the second page of the manuscript gets numbered 1?

Before we get started, if you need instruction in creating page headers in the first place, see my earlier entry "Automatic page numbers in Word." Up to speed? Let's continue.

If you're using MS Word 2007 or a more recent version—the version with the tool ribbons at the top instead of pull-down menus—then go to the Page Layout ribbon. In the group of tools labeled Page Setup, click the little diagonal arrow icon in the lower-right corner to pop up the Page Setup dialog box. Click the Layout tab, then check the box labeled Different first page. Click OK to close the dialog. This will cause your page header to not appear on the first page of the manuscript.

For a short story manuscript, you're done. The header will not appear on the first page, and the second page will be numbered 2. If it's a novel manuscript, though, you need to go through one more step to make the second page numbered 1.

Set your cursor on the title page of the manuscript. Select the Insert ribbon. In the group of tools labeled Header & Footer, click Page Number. Choose Format page numbers from the menu that appears. A Page Number Format dialog box will pop up. In the Page numbering section, click the radio button labeled Start at. Set the number in the adjacent box to 0. Click OK to close the dialog. This will set the title page's number to zero, causing the second page of your manuscript to show up as 1.

You should find similar options in other word processors.

Novels | Page Headers | Page Numbering | Reader Questions | Short Stories | Software | Title Pages

 
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FLOG is Hugo- and Nebula-nominated author William Shunn's blog on manuscript formatting and preparation for fiction writers. It features formatting questions from real readers and writers like you. Submit your questions to format at shunn dot net. Identitying information will remain private.
 

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