Inhuman Swill : Writing : Page 8

Writing advice

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Writing is thinking.

Writing is not a process simply of transcribing ideas that are already worked out in full. Writing is the process of working through those ideas.

It is not necessary, nor is it likely even desirable, to sit down and write only after your ideas are worked out, because the very act of writing is the most important part of the process of working them out in full.

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Subversion

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Thanks to everyone who weighed in yesterday on my version-control questions. I know it may seem like overkill, and I'm prepared to be made fun of, but I finally decided to go with Subversion (a/k/a SVN), which I'm running through Apache 2.2 with SSL on one of my boxes here.

A lot of factors came into play for me. We have several computers at home, and I like to be able to work on whichever one is convenient, which means it's nice to be able to grab the latest copies of drafts and my notes quickly from wherever I am. I need to be able to do this from outside our home network, in case I'm around the corner at the coffee shop, on the road, or over at the Writers Workspace. And since I obstinately continue to work in WordPerfect, I can't rely on solutions like Google Docs that are geared specifically toward Word files. Since I've been using CVS for years, SVN seemed like a natural step up for me, since it's similar but does a lot of things more smartly.

The coolest part of this whole setup, to me, is the SVN client I'm using, TortoiseSVN. This lets you access all the SVN commands from right-click menus directly in Windows Explorer. It also adds layover icons to the file icons so you can see at a glance what files and directories need to be committed. And SVN itself handles tasks like renaming and moving files and directories so much better than CVS, I wonder why I didn't start using it for code a long time ago.

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Version control

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A technical question for you techie writer types out there. Do you use version-control software to keep a repository of your work? If so, what? What platform do you run it on? What do you like? What don't you? I know CVS pretty well from my programmer days, but I'm not sure that's what I want to use for my writing. Maybe Subversion? SVK? I've just started looking into this, and there are a whole lot of options.

I used to just use the Windows Briefcase to keep my writing in sync between machines, but my new laptop with Vista doesn't seem to implement Briefcase in a way that's entirely compatible with older versions, and anyway it doesn't do squat to keep copies of older drafts around. I'd like to start doing something a little more sophisticated than that.


I'm part of this week's "Mind Meld" over at SFSignal.com. The question under discussion is: "What's your favorite sub-genre of science fiction and/or fantasy?"


I will have more thoughts to offer on this milestone later, but for now let me just say that my job has ended. Like a wounded deer it kept dragging on, but at long last, finally, my last day working steadily as the senior software developer and architect for (the fine and worthy) BenefitsCheckUp, my employers lo these past six and a half years, came yesterday. This has not quite sunk in yet (probably due to the fact that I'm a little punchy from working every day since mid-June—51 hours Monday to Thursday this week alone—which is also why you haven't seen much of me around these parts lately). I thought the day was never going to come.

Now I'm a full-time writer. (No pressure!) And as such, I'm of course going to procrastinate work on my novel for a three-day blowout with Laura at Lollapalooza. (Thanks, Shana!)

Pumped

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If you haven't heard already, Paolo Bacigalupi was on NPR's Weekend Edition Sunday yesterday discussing his excellent collection from Night Shade Books, Pump Six and Other Stories. Way to go, Paolo!


Algis J. Budrys
It was a simple drive twelve miles north this morning to get to Skokie for Algis Budrys's memorial service. Laura was unable to join me so I went alone, and I found when I arrived at the funeral home that there was no one there I knew. Actually, I did meet Ajay's dear wife Edna back in 1985, but I wouldn't have expected her to remember that brief occasion all these years later.

I don't do very well in crowds where I don't know anyone—heck, I can get intimidated in crowds where I do know people—so I sort of slinked around at the back of the room, feeling somewhat like an intruder. Two display tables helped me occupy myself. One was covered with an arrangement of various editions of Ajay's books. The other displayed a selection of interviews with and articles about him, both from print sources and online. On a widescreen television ran a slideshow of photos of Ajay and his family.

The service began not long after I arrived, and I found a seat toward the back. There were fifty or sixty people in attendance, I would estimate, and the number of chairs for everyone was almost exactly right. A pastor spoke for a few minutes about Ajay's greatness as a husband and a father and a writer, and offered a prayer. Then she turned the time over to Ajay's sons.

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Tapped human side

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Here's an article about Algis Budrys that ran in yesterday's Chicago Tribune:

Tapped human side of science fiction

I'm going to head out to Skokie for the service Saturday morning.


I just heard from Geoff Landis that Algis Budrys passed away this morning. He was one of the great writers, editors, critics, and teachers of science fiction, and as the first week's instructor for my Clarion class in 1985, he certainly had a profound influence on my early development as a writer. I'm very sad to hear this news, especially given that I now live so close to Evanston, Illinois, where he made his home for so long.

I've pulled Rogue Moon down from the shelf and intend to start re-reading it tonight, something I've meant to do for a very long time.


Longtime readers may recall me railing against James Frey and the phenomenon of the invented memoir a couple of years ago. Rather than chilling the memoir marketplace, though, Frey was merely in the vanguard of a veritable explosion of exposed frauds that now includes such "memoirists" as Margaret B. Jones and Misha Defonseca.

The topic of these overly embroidered tales is much on my mind as, again, my memoir makes its way back into the marketplace. I feared two years ago that Frey's escapade would make a memoir more difficult to sell. Now I fear that he didn't make it difficult enough.

Nearly two months ago, Scott Simon on NPR's Weekend Edition delivered an editorial that made me stand up and pump my fist in the air. He made the interesting argument that the phony memoirist cheats in two ways: first, by weaving of his life an epic that never was; and second, by scanting the literary rigor a novel would have demanded. Listen here:

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