Inhuman Swill : Writing's Geek's Guide to the Galaxy Podcast
Though it doesn't officially come out until tomorrow, my interview with the Geek's Guide to the Galaxy podcast is now live and available through iTunes and elsewhere.

I really enjoyed doing this interview. Host David Barr Kirtley asked great questions, and we chatted not just about the writing of The Accidental Terrorist, but also how charismatic religious leaders manage to get away with so much and why there are so many Mormon science fiction writers.

Dave does a heroic job with this podcast in general, and if you're not listening to it regularly, you should. In fact, you should listen to a few of the many great past episodes and then help support the show.

Listen below now!

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This essay is excerpted from The Accidental Terrorist: Confessions of a Reluctant Missionary, available everywhere November 10, 2015.

WARNING: This essay contains graphic descriptions of primitive surgery that some readers may find disturbing.

In January 1994, when I was 26 years old, I sat down in my bare, cold room to write my first novel.

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Good news, Accidental Army! (That's what I've been calling you in my head for some time now. I hope you don't mind.) Last night I reviewed and approved final proofs from my printer, and I placed the first official order for The Accidental Terrorist. Printing is underway! The first copies should reach me in a week or so.

If you pre-ordered the signed hardcover, I'll probably be spending the bulk of my remaining evenings this month stuffing books into boxes and padded envelopes and getting them back out in the mail. I'm going to start with those of you who are farthest away—yes, that means you, Rev. Ould!—working my way through the buyer list from the U.K. to Canada to the West Coast and so on, with my fellow New Yorkers saved for last. That way, hopefully everyone will get their orders at about the same time.

God, I can't wait to get these books to you. Thanks for being so patient, friends.

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William Shunn, photographed by Colin Poellot at SingleCut Beersmiths, Sunday, August 16, 2015
So I had dinner the other night with Paul Witcover, the brilliant speculative fiction writer whose books you should be reading—and who happens to be copy-editing The Accidental Terrorist for me. I'm happy to report that he reported he was well over halfway through the book.

In fact, last night Paul emailed me what he had so far so I could get started on my corrections. It turns out he's more like 80% of the way through.

What does that mean? It means we're very close, kids. We're very close to having an absolutely finished book. It means we're probably about a week away from when I can place my order for the first batch of hardcovers, and that means I will absolutely be getting signed books out to my gracious early supporters before the end of September. I couldn't be more delighted.

In other book news, what you see above is my more-or-less-official author photo for the book jacket. It was taken by my friend Colin Poellot, quite an accomplished photographer. We have a couple of his prints hanging on our walls, and we thought he'd be the perfect choice for a jacket photo.

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The Accidental Terrorist: Our book may not be free, but at least it won't cost you 10% of your income.
The publication date for my memoir The Accidental Terrorist inches ever closer. We're a little more than four months away from rolling out the book, and things here at Accidental Army Headquarters (a/k/a my house) are busy as ever.

The most important news to share is that last week I received my final set of editorial notes from the brilliant and insightful Juliet Ulman. I was breathlessly awaiting her verdict on the heavily rewritten draft I turned in at the end of March, and the news was good. Here's a bit of what she said:

This book went exactly where I wanted it to go, and it's so much stronger, not just because of the added historical context, but because of the additional work you put into trimming fat and pulling all of your threads tight. This is the book we were aiming at, its bones and body solid, and all you're doing now with these final edits is stepping back to look it over last time and polish it until the shine is satisfactory to you. I hope you're proud of what you've accomplished with this text, because you certainly should be.

I have to admit that the room got a little dusty when I read that. It's nice finally to hear an editor say "Good job" after sixteen years of work.

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We had no idea that what we were really doing was a cover shoot for my memoir.

It was the late summer of 1987. I was stationed with my assigned mission companion, Elder Tim Bishop, in Bonners Ferry, Idaho. We lived rent-free in a small house owned by a local Mormon farming family. The house was a couple of miles outside of town, in the middle of a vast swath of wheat fields. The Kootenai River meandered nearby. Occasionally a moose would wander by or a bald eagle would sail overhead.

I'd been there since May, so I'd gotten to watch much of the growing and harvest process. At the end of the season, the farmers let us know that they would soon be burning the stubble of one of the fields, which would lie fallow the next year.

Even with advance warning, it was quite a shock when Bish and I, returning home in the late afternoon from a day of whatever missionaries do to occupy their time, spotted the smoke rising in the distance. Driving up the dirt road between the burning fields was a surreal experience, even with the greatest part of the fires having died down. It was so surreal, in fact, that we did exactly what you would expect from bored 19- or 20-year-old kids.

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Our Dependency on Foreign Keys, art by Hayrettin Karaerkek
The second and concluding part of my new science fiction novelette, "Our Dependency on Foreign Keys," is available today at the online magazine Across the Margin. (Part One appeared yesterday.)

When last we left our not-so-heroic hero Pell "Franny" Franziskaner, he was no closer than he was at the start to figuring out who is sabotaging his cocktail party and threatening to kill him, nor to completing or even figuring out the task he's been given by the super-duper advanced A.I. called Hondo. But at least he's invented a cool new party game called dueling holaoke! Will Franny unravel the mysteries before it's too late? And will Hondo ever make an appearance at the party?

Learn all the answers now...

Part One:

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Our Dependency on Foreign Keys, art by Hayrettin Karaerkek
A brand-new story of mine, "Our Dependency on Foreign Keys," is available today at the online magazine Across the Margin.

Or actually, the first half of this 11,000-word story is available today. The second half will go live tomorrow morning.

And to be honest, it's not exactly brand-new, either, though this is the first time readers are seeing it. According to an old blog post, I was working on this story during a trip to Malta and the Middle East in May 2008. It was one of those stories that started with the title, and as I worked out the basic situation of the story the plot and its world, things grew very complicated indeed, even given that I decided to set it in the same near-future historical continuum as a couple of my earlier stories. I clearly remember the bar in Chicago's Bucktown neighborhood where I was sitting when I named the main character Pell Franziskaner. According to my records, I finished the first draft around the time Barack Obama began his first term as president.

The story was a difficult one to write because I needed it to be light and frothy but dense at the same time. I took the Jeeves and Wooster stories as my model, though I think you'd be hard-pressed to see that in this final version. Connie Willis's screwball comedies like "Blued Moon" were an inspiration too, though again...

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I don't remember whether or not I reported this on Twitter and Facebook, but I know I haven't mentioned it here on the blog. The latest revision of The Accidental Terrorist is finished!

I completed this new, significantly revised draft on March 29. Over the next week I glanced at it from time to time, fixing bits and tinkering a little, but overall I'm pretty happy with it—happier than I've been with any of the previous drafts. Last week I sent the manuscript to Juliet Ulman, my brilliant editor. Hopefully I'll have my final revision notes before the end of May, and then a final draft of the book that I can get to my copy editor before mid-summer.

This book is happening, friends.

Now a question for you. I'm going to put the book out in trade paperback form, as well as various flavors of ebook. I've been toying with the idea of making a signed hardcover version available as well, for a little extra money, but I would have to place a bulk order for those to make it financially worthwhile, and that would mean having people place pre-orders so I know how many to print.

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When I announced last October that I would be self-publishing my memoir this year, I optimistically thought I could have it out by the spring. Spring is now right around the corner, and I think I can say with some confidence that ... er, The Accidental Terrorist will be available no sooner than this fall.

But that's the only bad news I have to report! I've been very busy these past five months, and I'd like to tell you a little about it. As many drafts of this memoir as I've done, I've never quite been happy with it, so my first order of business was hiring an editor. Fortunately for me, I know one of the best in the business, Juliet Ulman, and she was willing to work with me on the book. She worked at Bantam Dell for eleven years, and since striking out on her own she has since continued to do amazing things, like for instance editing a little novel you may have heard of, The Windup Girl. She herself has two Hugo Award nominations for Best Professional Editor. I'm very lucky to have her input.

Juliet delivered her first set of notes and edits to me at the end of December. All her observations were very helpful, but by far her biggest suggestion was that I widen out the scope of the book, to make it more than just my own story but an investigation into Mormonism itself.

Needless to say, that sounded like a lot of work. But at the same time, it jibed completely with my original vision for the book. In fact, if you listened to the podcast version of The Accidental Terrorist, then you know that I did interpolate a lot of material from Mormon history into the narrative. For some reason, it seemed like a good idea to me to take that material out in a later draft. (This is why I can't have nice things.)

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