Inhuman Swill : Podcasts

Mormon Stories Podcast
As reported yesterday in the New York Times, Mormon podcaster, critic, and activist John Dehlin faces excommunication at a church disciplinary hearing later this month. Dehlin runs the Mormon Stories family of podcasts, which cover topics important to members struggling with doubt, identity, mental health issues, and more. The charges against him essentially boil down to teaching "false doctrine," but there's of course more to it than that.

Dehlin is a Ph.D. candidate in psychology and counseling who has researched the effect Mormon teachings have on gay members. And despite his embrace of those whose beliefs and/or lifestyles clash with Mormon doctrine, his default stance seems to be to help those folks find a way to stay in the church.

I'm sympathetic to the effort, though it's pretty foreign to my own experience with Mormonism and doubt. My response, when I could no longer deny the overwhelming historical evidence that the claims of the church were false, was to get the hell out. When I started writing about my questions and conclusions, my goal (besides venting a lot of anger) was to help people who were miserable in the faith or damaged by its oppressiveness to realize that they could leave. They didn't have to stick around and hide their true selves and feelings. They could just walk away.

Of course, I also learned that this isn't so easy, or even possible, for everyone. Some of those who come to have crippling doubts about the church must choose between following their consciences or losing their families. Some value the sense of community they get as church members, or their cultural identity as Mormons, too much to want to give it up. And why should they, really?

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SPOILERS

Yep. As predicted, I was.

As soon as I woke up this morning, I downloaded the final episode of Serial. I listened to it while making coffee and feeding the dog and fixing a lunch for Laura. Besides the tantalizing and ultimately frustrating mention of the thin possibility that Hae was murdered by a known serial killer, the episode unfolded without any surprises, right down to Sarah Koenig's admission that, while there probably wasn't enough sufficient evidence for a fair conviction, she can't really make up her mind about Adnan's innocence or guilt.

Maybe this wouldn't have felt like such a letdown if the series hadn't been stretched out to such a length that even vague, unrelated rumors become fodder for investigation and interminable discussion. Serial was certainly worthwhile as an examination of what can happen in our legal system when a crime is prosecuted without rigor, but for me that aspect of the story was undercut by all the tedious minutiae.

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Tomorrow morning I expect to be disappointed.

Like many of you, I've been following the Serial podcast for the past few months. My reactions to the previous eleven episodes have ranged from bored to enthralled to confused, but I'm pretty sure that tomorrow's final episode will leave me feeling disappointment.

I'd love to be wrong. I'd love for Episode 12 to pull everything together, to fill me with a transcendent sense of the ephemeral nature of truth, or to turn up the final damning piece of evidence that either implicates or exonerates Adnan Syed. I don't have much confidence in either outcome.

Maybe part of this comes from my own unreasonable expectations. When I first started listening to this true-crime story, I assumed that Sarah Koenig was well ahead of the game and had unraveled the mystery already. I assumed from the very title, Serial, not just that twists and turns and cliffhangers and reversals lay ahead, but that a sure hand on the tiller was guiding the ship to a known destination.

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The Accidental Terrorist (charity auction edition)
I never expected it would take so long to make this announcement, but my Mormon missionary memoir The Accidental Terrorist will be published by Sinister Regard in 2015.

Although it might end up with a different title. And the cover definitely won't look like the one below. And Sinister Regard is actually me.

I'm very excited, nevertheless.

It's hard for me to pin down exactly when I started work on this book. The events it chronicles took place mostly between September 1986 and March 1987, when I was a Mormon missionary serving in Alberta. But before that time span had even ended, I was already learning to tell bits and pieces of the story to an audience. In 1988, I told the full story to a few fellow missionaries—with a tape recorder running. Here's an excerpt, in which you can hear me at age 20 with my Utah accent still fully intact:

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ShunnCast #56

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Epidode #56 of "ShunnCast" is now available, in which Bill urges you with all urgency to support the Glitter & Madness Kickstarter campaign, then rewards you with a reading of his story "Care and Feeding of Your Piano."

http://www.shunn.net/podcast?id=56

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My good friend Cesar Torres recently had me on Episode 29 of "The Labyrinth," his fine podcast about the strange and unusual.

We talked about my Mormon upbringing, how I tried to avoid writing a novel, what not to do when you're learning to write, and of course the strangest thing that ever happened to me. If could go back and do it over again, I'd tell myself to slow down and take a breath, but you can listen to my exhausting rush of words here:

Cesar and I are in a writing group called Error of Judgment together. He has also interviewed our fellow workshoppers Eden Robins and Holly McDowell, plus lots of other fascinating people. Check it out.

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I'm in New York City today to hang out with writers, editors, and agents at the annual SFWA Reception for Industry Professionals, so maybe it's an appropriate day to post this radio interview. Gary K. Wolfe and I appeared this past Thursday night on WGN's "Extension 720 with Milt Rosenberg" to talk about science fiction, not to mention the new Library of America collection American Science Fiction: Nine Classic Novels of the 1950s which Gary edited.

We had a great time talking with Milt Rosenberg. You can listen to WGN's podcast of the interview online at WGNRadio.com, or hear the two segments of the show embedded below. Commercials and news breaks deleted!

10:00 - 11:00 p.m.  (43:59)

11:00 p.m. - midnight  (41:48)

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UPDATE!  After this blog entry was written, I emailed the text of it to John Hodgman on a whim. A few hours later, to my surprise, I received a response. His Honor told me he would endure my "gut punches" if I disagreed with him, but that I should not ask him to answer for Martin Amis.
Dear Judge John Hodgman:

I must take great exception to your summary judgment in a recent episode of the "Judge John Hodgman" podcast, to wit, that Shaun of the Dead is a comedy only and not a horror film.

Your Honor, this opinion is, if you'll permit me, patent hogwash. If we are to accept your definition of a horror film as one designed to provoke terror and dread in its audience and to help that audience confront and process their own existential fears as their on-screen proxies battle horrors from beyond the grave, then in what way does Shaun of the Dead not meet that definition? Yes, we may be laughing at the same time, and we may chuckle wryly here and there in recognition of nods to earlier classics in the zombie canon, but that in no way reduces our identification with Shaun, Ed, and the rest of our heroes, nor does it diminish our well-justified fears for their safety or our investment in their fates. Whatever yuks may be afoot, these characters are in very real peril, and we can't help experiencing that peril along with them. Shaun of the Dead clearly manages the feat of being effective comedy and horror both, at the same time.

I am weary to my bones of the tired assertion that a thing that is one thing cannot also be another thing, particularly when the one thing is seen as high art and the other as low. I recall years ago attending a lecture by literary enfant terrible Martin Amis at the NYU library. His New Yorker short story "The Janitor on Mars" had just been named by Locus Magazine as one of the year's top works of science fiction. During Q&A, a young woman asked Amis if the publication of that story meant that he was now a science fiction writer. Amis hemmed and hawed, eventually asserting that, while he had read and absorbed copious amounts of science fiction as a youth and certainly wasn't embarrassed by that fact, "The Janitor on Mars" merely deployed the tropes and language of science fiction to a higher literary end. It was not itself, he claimed, science fiction.

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Epidode #61 of The Accidental Terrorist Podcast is now available, in which Bill explains how you can bid to win your very own privately printed copy of his memoir The Accidental Terrorist. Listen up! (Or simply click here to learn more and bid now.)

http://www.shunn.net/podcast?at=61

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Epidode #55 of "ShunnCast" is now available, in which Bill explains how you can bid to win your very own privately printed copy of his memoir The Accidental Terrorist. Listen up! (Or simply click here to learn more and bid now.)

http://www.shunn.net/podcast?id=55

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William Shunn

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