It's been a long time since I posted a mix of the month, but the CD Mix of the Month Club hasn't been mixing it up very often lately. A few of us convened for karaoke earlier this month, though, so I figured that was enough of an excuse to whip up a new mix.
My contribution for October, most emphatically not a Halloween mix, is called The Writing's on the Wall. Eleven of the fourteen tracks are available on Spotify, so you can check out a good 78.6% of the mix below:
It may seem a tad late to be posting a mix for January, but I sort of got busy and failed to do so last month. Yes, the CD Mix of the Month Club reconvened a few weeks ago to throw a going-away party for our member Josh McCuen, who's off now on an epic New Zealand adventure. A couple of us made mixes. Most of us didn't. I guess now we're more like the Used to Make a CD Mix of the Month Club, which makes perfect sense now that there are easier ways to share music than burning data onto aluminum discs.
Anyway, my contribution to January's shindig was called Difference Engines. This rather churlish and cheeky mix comprises mostly female vocalists, and the most if not all of the tracks are available on Spotify. Take a listen below.
It's been a long time since I posted a CD mix of the month, but that's because I've been in Chicago and haven't been able to attend the (increasingly irregular) meetings of the CD Mix of the Month Club for several years. But this past Saturday night the club convened once again, so I created a mix.
The cool thing nowadays is, with Spotify I can actually share the mix with you without violating a bajillion and a half copyright lawsand, amazingly, all twenty-one tracks were available to stream. Check it out below.
Five years ago today, Michael Breckerone of my favorite saxophone players, and a pioneer on the instrument in many wayspassed away of complications from leukemia. He had suffered from the rare blood disorder myelodysplastic syndrome, and never found a matching donor for a successful stem cell transplant.
Brecker was one of the most in-demand session players of his time, besides being a consummate jazz innovator in his own right. He was also instrumental in promoting and pioneering the use of the EWI (electronic wind instrument). Back in 2007, I put together a Michael Brecker tribute mix as my contribution to the CD Mix of the Month Club I used to belong to in New York. Called Tenor of the Times, it contained a sampling of some of his best work both as sideman and band leader. On this anniversary of his passing, I thought I'd make a zip file of the mix available. Grab it quickI won't leave it up for long. Some liner notes are here.
Going home to New York City is as comfortable as slipping on an old shoe. I flew there Tuesday afternoon with just a backpack and the parka on my back, and I was immediately at ease and confident in a way I don't yet feel in Chicago. The only bad part was that I was alone, since Laura was on a concurrent business trip to Rochester.
But I wasn't solitary for long. I took a cab from Laguardia to my borrowed apartment in Astoria, Queens, dumped off most of the contents of my pack, and headed into the city. After a quick stop at my old office, I met John Klima, in from Iowa way, at the Tor offices in the Flatiron Building. I acquired an advance copy of Cory Doctorow's Little Brother, I chatted with Patrick Nielsen Hayden for a minute or two, and John and I hauled his bags back to Astoria on the subway.