Inhuman Swill : January 2011

The bully's speech

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A couple of weeks ago, Laura and I bought tickets online for an evening showing of The King's Speech. We went out to dinner first but failed to leave ourselves enough time to get to the movie theater early. By the time we arrived, our theater was nearly full. We could have sat together in the front row or sat apart. Neither prospect appealed to us so we went to the box office and got a refund. We had to eat the $2.00 online ticketing fee, but it was our own fault for not getting there early enough for decent seats.

Last night we tried seeing The King's Speech again. This time we got to the theater a full hour early. This was probably overkill, but we did end up scoring ourselves the perfect spots, dead center two rows up in the stadium seating section.

Well before the previews started, we couldn't help but overhear an elderly couple bickering in the seats directly behind us. I rolled my eyes, hoping this wouldn't continue once the movie started.

The theater was filling up fast. Shortly after the old man excused himself to go buy popcorn or use the restroom or whatever, we heard a young woman asking the old woman if she would move over so she and her husband could sit together.

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A green light for gunmen?
It has come to my attention that a major American retail chain, in an orchestrated campaign to "take out" high prices, may be quietly encouraging violence in our cities and towns. I'm sure the perpetrators of this offense don't mean it that way, but what other message than an invitation to mayhem are the impressionable and unstable amongst us supposed to take from the sight of a local area map covered with red bull's-eye symbols?

I hereby call upon Target Corporation, in these times of hyper-vitriolic political rhetoric, to change their store-locator symbol to something less inflammatory. A nice, neutral asterisk, perhaps? Who could possibly object to that?

Please. It's for the good of the country.

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No, I don't mean dancers smoking pot. I mean dance choreographed on an indoor set of living grass and trees. It's "Wooden," by our good friend Laura Peterson (with sets by Jon Pope), and you lucky New Yorkers can see Part 2 at Here Arts Center tonight and tomorrow night only. Please go, since we can't! Tickets are $15.

Laura's choreography always strikes me as supremely logical, whether rooted in organic forms or technological ideas or a hybrid of both, and entirely superior to the hackneyed vocabulary that seems to compose much of modern dance. Here's a video of one of the improvisations that led to "Wooden" to whet your appetite:


at MoMA 2/14/10 from Laura Peterson on Vimeo.



See more of Laura's videos here and here. And here's a past favorite of mine, just because:

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William Shunn

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