Inhuman Swill : December 2009

The problem isn't that Luke sees dead people. The problem is that dead people see Luke.

CAST A COLD EYE BOOK RELEASE PARTY
w/William Shunn
Friday, January 8, 2010
7:00 to 9:00 pm

Time and Again
1239 W. Cortland St.
Chicago, IL 60614
site | map

Come out to Time and Again in Chicago to celebrate the hardcover release of Derryl Murphy & William Shunn's new novella Cast a Cold Eye! Mingle with fellow book lovers, browse unique treasures from the era of the story in an elegant setting, and sit back with a glass of wine while William Shunn reads chilling selections from the book. (Readings begin at 7:30 pm.)

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Come hear me read tonight, Chicago! I'll be one of several writers reading in the new Essay Fiesta series at The Book Cellar in Lincoln Square.

Essay Fiesta features writers reading humorous personal essays, and is hosted by Keith Ecker and Alyson Lyon. The event itself is free, but proceeds from a raffle afterward go to benefit the Howard Brown Health Center. Besides me, tonight's readers include Cameron Esposito, Mike O'Connell, John Loos, and John Newton. Should be a lot of fun.

The reading starts at 7:00 pm, but since seating is limited I'd suggest arriving before 6:30. Besides its great selection of books (including a small but smart SF section), The Book Cellar offers coffee, wine, beer, cheese, sandwiches, and other goodies. They're also great about special-ordering anything you can't find in the store. The Book Cellar is near the Western stop on the Brown Line, at:

The Book Cellar
4736-38 N. Lincoln Ave.
Chicago, IL 60625
773-293-2665
Hope to see you there!
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The phantom reviewer

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There's a good chance that you've seen this already, but if you haven't and you care about good, clear storytelling and you have 70 minutes to kill, you must watch this epic deconstruction of The Phantom Menace.

Aside from the pointless serial-killer subplot (seriously—the narrator of the review is supposed to be a delusional serial killer), this is a brilliant and funny dissection of why the Star Wars prequels suck so hard. It crystallized for me many of my own unfocused thoughts about the films, and gave me ten times as many new reasons to hate the them. The sequence where the reviewer asks friends to describe specific Star Wars characters is alone worth the price of admission.

Because of the 10-minute limit on YouTube content, the review is broken up into seven parts. (Part 7 doesn't always seem to play in its original configuration. If you have that problem, try this version of Part 7 instead.) Here's Part 1 to whet your appetite:

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New short story online

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The Visitors at Wriggly Field, by William Shunn
Batter up! My pulpy new short story, "The Visitors at Wriggly Field," is now online as part of the Pulps series at ChicagoIn2012.org. It's probably my first sports story, and may well be my last, so I hope you enjoy it. (The illustration is by Frank Wu!)

The Pulps series supports Chicago's bid for the 2012 Worldcon. Earlier stories in the series, both in print and online, have been contributed by Frederik Pohl, Gene Wolfe, Mike Resnick, Phyllis Eisenstein, Roland Green, Richard Garfinkle, Lois Tilton, and others. I'm glad I hadn't read any of the earlier stories before I wrote mine, or I might have been too intimidated to produce.

The stories are an homage to Chicago's past as a home to many classic publishers of pulp science fiction. The guidelines we all were given were that:

  • the hero must be square-jawed and dim-witted, with B.S. for his initials;
  • the heroine must be smart, capable and beautiful, with the name Elaine Ecdysiast;
  • the evil-genius villain must be dastardly and scenery-chewing, with the name D. Vice;
  • and the story must be set at least in part in Chicago.
Even by those standards, I clearly went for the lowest common denominator. No, seriously. Frank chose wisely by not illustrating the story's climax.

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#83

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I have a confirmed report that book #83 has been spotted in the wild. That's #83 out of only 100 signed, numbered and jacketed copies of Cast a Cold Eye. If you want one, act fast.

(Plenty of copies of the regular edition available, of course.)


Cast a Cold Eye, by Derryl Murphy & William Shunn
Writing-related announcements have been piling up here in the blog queue, so if you'll indulge me here, I'm just going to get all of them out at once.

CAST A COLD EYE

First and foremost, my book Cast a Cold Eye, a collaboration with three-time Aurora Award nominee Derryl Murphy, is out and available from PS Publishing!

The slim volume looks beautiful, with front and back cover art by Steve Leary, and features an introduction by Charles de Lint. It comes in two editions: a signed, numbered and jacketed hardcover limited to 100 copies, and an unjacketed hardcover.

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Having watched Valkyrie recently, I've been thinking about the intersection of art, commerce and religion. I know, that's probably not the kind of discussion the filmmakers intended to provoke, but here we are. Germany started it.

Every so often a big kerfluffle flares up in the media or the blogosphere about what famous entertainer is or isn't a Scientologist, and why. Tom Cruise, John Travolta, Isaac Hayes, Beck, Chick Corea, Edgar Winter, Chaka Khan, Mark Isham, Greta Van Susteren—we're supposed to avoid giving them money so we don't inadvertently support their reprehensible "church." Leonard Cohen, Paul Haggis, Jerry Seinfeld, Courtney Love, Gloria Gaynor—once were Scientologists, but now they're on the okay list. Neil Gaiman—wait, what's the controversy with him? I'm not supposed to read him because his relatives are Scientologists?

Frankly, keeping score like this is ridiculous.

As much as I dislike Scientology, discriminating against artists because of their private beliefs is a losing game. I hate the fact that there were Crusades, and a Spanish Inquisition, and institutional coverups of child sexual abuse, but that doesn't mean I'm going to deny myself the work of Catholic writers like Graham Greene or Tim Powers, or Catholic filmmakers like Kevin Smith. Will some of the money I pay for their stuff end up in Vatican coffers? Possibly, but I'm not naive enough to think that any of the money I give or receive is pure. We live in a pluralist society. We can't help the fact that our money is going to circulate through parts of the body politic that we don't like. The only judgment we can really make is how we respond to the art, how pure and universal and human it is, how ennobling or demeaning or thrilling or dull, how free from or full of agenda or polemic.

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William Shunn

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